Femme éthérée dans un paysage printanier surréaliste aux eaux lumineuses

a breathtakingly hyperrealistic oil painting in the hauntingly beautiful style of Zdzislaw Beksinski, fused with Catherine Abel's dreamy romanticism and H.R. Giger's uncanny precision. In the foreground, an ethereal woman with porcelain skin and luminescent eyes stands draped in an ornate, otherworldly gown—its fabric alive with swirling metallic embroidery that shifts between liquid gold and bruised violet, as if woven from dying stars. Behind her, a surreal spring landscape unfolds: skeletal cherry trees bloom with crystalline flowers, their petals refracting prismatic light across a moss-choked river where bioluminescent koi slither beneath the surface. The sky is a feverish gradient of molten copper and deep indigo, streaked with impossibly intricate cloud formations that resemble Baroque cathedral ceilings. Every blade of grass, every fold of her dress, every unnatural glow is rendered with such hyper-detailed precision that the scene thrums with eerie vitality—as though the viewer could step through the canvas into this liminal realm where beauty and decay embrace.