Anthropomorphic terrier crew in a vintage airplane cockpit

Draw a photograph. Three anthropomorphic Scottish terriers in the cockpit of a Douglas DC-3 transport aircraft. The composition is such that the camera lens is looking from the windshield into the aircraft’s pilot’s cabin. The background is a wall separating the pilots’ cabin from the aircraft’s interior; the aircraft’s name is “Blooming Steppe”. The materials and finishes in the cabin are typical of the mid 20th century. In the rear wall of the cabin, you can see a door and a curtain in the colours of the Scottish tartan. On the left side wall of the cockpit, there is a control panel for the engines, with a dim green backlight for the instrument dials and warning lights turned on. On the right side wall of the cockpit, there is an operating radio station with illuminated dials and indicators. In the left pilot’s seat is the first anthropomorphic Scottish terrier, the commander of the aircraft; it is looking at the camera lens, holding the control wheel in its front paws; it is wearing a crumpled aviation cap on its head and an aviation jumpsuit without patches or insignia. In the right pilot’s seat is a second anthropomorphic Scottish terrier, the co pilot, without a helmet headset; on his head are large headphones with a headset; his clothing is an aviation jumpsuit without patches or insignia; in his front paws, he holds a flight map and checks the route. Behind the pilot’s seats is a third anthropomorphic Scottish terrier, the flight engineer; his clothing is an aviation jumpsuit without patches or insignia; he is standing behind the pilots’ seats, looking at the control panel; in his left front paw, he holds an adjustable wrench; in his right front paw, he holds a screwdriver. Terriers are distinguished by their facial expressions and size. Mood: calm concentration, fully ready for action. Rays of light penetrate through the glass of the pilot’s cabin. The sun is not visible; the plane is flying across the blue sky through light cloud cover. The lighting should be natural: directional, layered, atmospheric, and focused on the essence, with a contrast of warmth and cold where it suits the scene. Use a palette tailored to the specific scene, rather than a fixed one; preserve any intended colors while enhancing harmony, tone depth, selective saturation, bright highlights, and rich yet controlled shadows.. The finished image should be detailed and emotional