Momie endormie en gros plan tenant une tasse de café fumante

A vertical humorous illustration, 9:16. A high-quality CGI illustration with realistic materials and a soft artistic stylization. Not a photograph. Not Pixar. Not Disney. The image is intended to look like a classic, funny greeting card with an expensive CGI render. An extreme close-up portrait of a funny mummy. The head takes up approximately 85% of the frame's height and almost completely fills the image's width. The camera is positioned exactly at eye level. The composition is extremely simple. The main character is a small, funny mummy with a head of natural human proportions. The head is slightly oval, not a round ball or an elongated skull. The entire face is almost completely hidden by wide layers of old linen. These are wide strips of coarse, creamy beige linen, not medical bandages. The fabric is old, dense, multi-layered, haphazardly wound, heavily frayed by time, with torn edges, fringes, protruding threads, folds, and creases. The bandages fit softly around the head, not emphasizing the shape of the skull. Old, dry, wrinkled skin is visible only in places between the layers. The character's main feature is his very large, expressive eyes. They are approximately twice the size of human eyes, slightly bulging, with warm, creamy whites, thin reddish veins, small brown pupils, and numerous bright highlights. One eye is slightly larger than the other. Between the eyes is a narrow, soft bridge of the nose, covered by bandages. There are no deep hollows, heavy eyelids, pronounced brow ridges, or intimidating anatomy around the eyes. The gaze is slightly unfocused and directed directly at the camera. The character's expression is neither fear nor madness. This is the comical, sleepy stupor of a man awakened very early. His face evokes a smile, not alarm. The mummy holds a small, light beige ceramic mug with small dark specks in both hands. The mug is centered in the frame, obscuring only the lower half of his face. A thin, translucent steam rises from the mug. The hands are completely realistic, representing human anatomy. Each hand has exactly five fingers. All fingers are completely wrapped in linen. Nails, skin, exposed fingertips, and pads are not visible. The fingers naturally grip the mug only from the outside. Not a single finger extends through the handle. There are no extra fingers, deformities, fusions, or any anatomical error