Ritratto frammentato a carboncino di un giovane che emerge dal caos

A black and white charcoal composition on rough, textured paper. The portrait is built from chaotic charcoal marks, not a clean portrait. Across the entire page, there are aggressive charcoal strokes, scribbles, smudges, and broad wiped areas. Thick rectangular charcoal blocks, rough horizontal smears, and overlapping layers create a fragmented surface. Random gestural lines cross the composition in different directions, like fast, uncontrolled sketching. From within this chaos, the lower half of a young man’s face with high cheek bones begins to emerge. The lips are the most defined feature, softly shaded with charcoal and slightly parted. High cheek bones. The nose is partially visible, formed from subtle tonal transitions. The rest of the face is incomplete and dissolves into surrounding marks. The eye area is obscured by dense charcoal strokes and layered smears. No clear eyes are visible — only hints of structure buried under the marks. The neck and shoulders are suggested with heavy charcoal mass and downward smudging, fading into loose, smoky shading. Edges are broken and irregular, with areas of raw paper showing through. Charcoal dust, fingerprints, erased patches, and uneven pressure marks are clearly visible