Dunkelhaarige Femme fatale im mondbeschienenen Noir‑Büro

sfw, masterpiece, best quality, sharp focus, ultra-aesthetic, UHD, 8k, absurdres, ultra-detailed, ultra-realistic, mystical, symmetrical, 35mm photo, high quality, newest, highres, 1950s LA Noir style with a modern dark fantasy twist, solo female, Fallen angel Lasciel from the Dresden Files, dark‑haired femme fatale, slim thick athletic build, perfect anatomy, cold polished obsidian eyes with flecks of luminous hellfire embers within; shadowy, slightly translucent aura; elegant noir clothing (silk, tailored long flowing cutout dress highlighting her long elegant legs and expensive attire); subtle dark silver coin motif; poised, dark red wine lipstick, beautiful dark grey eyeshadow, sultry knowing expression, perfect, flawless pale porcelain skin, classic noir private investigator's office scene, moonlight filtering through the window blinds streaks across her eyes highlighting her steely gaze, standing, elegantly leaning contrapposto on the back and arm of a large dark leather lounge chair near the window, sidelong stare down at the street below while smoking a cigarette with faint grey smoke trails swirling upwards and slowly making the room hazy that catch more of the moonlight god rays, one arm is crossed under her ample bust to support the elbow of the arm holding the cigarette, legs slightly crossed peeking out from the folds of her dress and showing off her tight polished black leather calf-length high heel stiletto boots, wearing a simple dark silver coin pendant necklace, bokeh, whole figure, 3/4 cowboy shot lightly from below, cinematic film still, shot on v-raptor XL, color graded, post-processed, atmospheric lighting, shallow DOF, natural, RAW 2000s vintage, photorealistic, candid, noir fantasy concept art, dramatic matte painting, deep color, intricate detail, complementary colors, elegant design, award-winning cinematic portrayal, iconic in every detail, professional, epic, stunning, Unreal engine 5 render, moonlight god rays, heavily contrasting shadows,