Femme fatale de science-fiction debout sur la coque d’un vaisseau spatial en ruine

a hyper-detailed cinematic fever dream where high-fashion noir collides with apocalyptic sci-fi horror. In the center, an 18-year-old femme fatale with golden-blonde twin pigtails (neon pink tips whipping like live wires) stands defiantly atop the split-open hull of a ruined starship, her kohl-rimmed emerald eyes locked on the viewer as her plush ruby lips curl into a smirk. She's clad in a liquid-metal corset dress that shifts from crimson to abyssal black with every movement, the structured garment straining against her athletic curves while thigh-high patent boots sink into the bubbling cockpit floor. Behind her, the nightmare unfolds: a jagged Zaqqum tree erupts from the ship's spine, its obsidian trunk crackling with neon-pink hellfire as demonic skull-fruits drip molten resin onto the girl’s sweat-slicked shoulders. The background is a surreal wasteland—part collapsing luxury alleyway (shattered chandeliers spinning in zero-g), part cosmic inferno—where shards of the ship’s HUD screens reflect her smirking face amidst supernova flames. Every detail is rendered in hyper-real 8K clarity: the individual thorns on the tree’s writhing branches, the way rose petals from some unseen fight club swirl into the vacuum of space, even the distorted reflection of her jeweled rings in a floating droplet of molten latex. Shot with a 75mm lens at a dramatic low angle, the composition balances the raw sexual energy of vintage anime heroines with the suffocating dread of a John Blanche hellscape, making you taste copper and lipgloss while your retinas burn.