黑暗大教堂中身著破損蕾絲洋裝的哥德風女子

A hyperrealistic 8K image of a female subject named "Use somebody 羽咲みはる," fused with visual elements inspired by Nicolette Noir and Silvia Saige, portrayed in a Popsurrealism art style blending comic horror and sensuality. The subject stands in a dim, gothic cathedral interior, her pale skin luminous against the darkness, with sharp cheekbones and large, expressive eyes that hold a mixture of vulnerability and defiance. Her hair is a wild cascade of deep violet and midnight blue, styled with intricate braids threading through dark crimson ribbons. She wears a torn, sheer black lace dress that clings to her form, revealing glimpses of ornate, skeletal-style body jewelry. Around her neck hangs a choker strung with tiny, glistening pearls and rose thorns, while her hands are adorned with long, dark nails and silver rings shaped like delicate spider webs. Shadows stretch long and sharp across the stone floor, where dried rose petals and scattered tarot cards lie. One card shows a bleeding heart, another a skull. Behind her, a shattered stained-glass window casts fractured, multicolored light onto the scene, depicting angels and demons locked in an eternal embrace. In the background, faint silhouettes of twisted, skeletal trees press against the windowpanes. The subject is posed with one hand resting gently on her collarbone, a single tear tracing a path down her cheek, as a faint, melancholic smile plays on her lips. The lighting is dramatic and low-key, with a hard main light from above creating deep, cavernous shadows and sharp highlights on her face and the lace detail. The color palette is dominated by desaturated purples, blacks, and deep crimsons, punctuated by the cool blue of moonlight filtering through the shattered window. The macabre aesthetic is heightened by subtle details: a moth-winged moth perched on a nearby candelabra, a single red spider lily blooming from a crack in the floor, and a thin trail of black smoke rising from an extinguished candle. The style is Popsurrealism, blending polished, almost photographic realism with surreal, cartoonish horror elements, reminiscent of Mark Ryden and Nicoletta Ceccoli. The image utilizes a wide-angle lens with a slight fish-eye distortion to emphasize the height of the cathedral and the isolation of the figure. Depth of field is shallow, with the subject sharply in focus against a slowly dissolving backgr