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In the middle of an immense Arctic landscape made entirely of felt, there is a tiny, white and soft polar bear, planted on a piece of ice also made of felt that floats alone in the middle of an intense blue sea, all of it with a warm and colorful texture. The bear is small, almost tiny, with round black eyes that shine like two glass seeds and give it an expression so adorable that it seems like it is about to blink.
The bear looks up, with its snout slightly raised, because right above it is passing a gigantic felt whale, so large that it takes up almost the entire sky of the composition. The whale is making an impossible leap, as if it had come out of the sea just to glide above the little bear. Its size is so enormous compared to that of the bear that it seems to be flying, suspended in a magical moment that defies all the laws of nature.
The difference in scale is exaggerated and charming:
the polar bear is like a hand-made figure with a pair of stitches, delicate and fragile, while the whale is a felt colossus, with an enormous body that casts a shadow on the ice floe where the bear waits, motionless and fascinated.
The sea of felt, with its soft, irregular waves, surrounds the scene like a handmade set. Everything has the air of an invented world, a toy universe where proportions do not matter and where a polar bear can look at a flying whale without fear, only with surprise and tenderness.
It is an image that combines humor, fantasy and a strange beauty: a small polar bear looking up at the sky, and a giant felt whale that seems to be crossing the air as if it were its own ocean.