Surreal gothic fantasy portrait of an androgynous, doll-like young figure seated frontally between two enormous white rabbits. The figure is pale and almost hairless, with an elongated bald forehead, severe symmetrical features, narrow greenish eyes, red-rimmed eye makeup with thin crimson streaks descending from the eyes, and small dark red lips. Their expression is cold, solemn and slightly uncanny.
A cluster of vivid red poppies and roses decorates one side of the head, while extremely long, fine, quill-like strands or feather filaments radiate upward and outward from the scalp like a strange ceremonial headdress or halo.
The figure wears an elaborate faded Victorian / Elizabethan costume in cream, beige, tobacco-brown and muted gold: a huge pleated striped ruff collar framing the head, layered antique fabric, aged silk, wrinkled sleeves, ribbons, lace, gathered skirt and worn theatrical tailoring. The costume should feel handmade, decayed, aristocratic and slightly grotesque rather than historically exact.
Two oversized albino rabbits flank the figure closely, one tucked under the left arm and the other sitting upright at the right side. Both rabbits are unusually large, pristine white, with long pointed ears, pale fur and striking red eyes. The rabbits should look calm, statuesque and slightly uncanny rather than cute.
The figure’s hands rest across the lap, with thin red threads, cords, small metallic trinkets and strange antique charms around the wrists and fingers. Subtle asymmetry and handmade detail throughout.
Minimal dark grey-green studio background fading into shadow, shallow theatrical space, frontal composition, subdued dramatic lighting, muted earth tones with selective scarlet accents.
Dark surrealism, gothic fairytale, decadent Victorian fantasy, uncanny fashion editorial, antique puppet theatre, strange ceremonial portrait, painterly realism, soft oil-paint texture, highly detailed fabric and fur, matte surfaces, restrained colour palette, eerie elegance, dreamlike and disturbing without gore.